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Patricia Terol Tolsa SIGGRAPH 2019
Film & TV

SIGGRAPH 2019 | Learn how MPC created custom tools in Nuke Studio for their 2D pipeline

Customising Nuke to your needs.

MPC BMW advert
Film & TV

SIGGRAPH 2019 | How MPC overcame their challenges in their latest BMW advert

Speeding up your creativity.

Brawl Stars trailer
Film & TV

SIGGRAPH 2019 | Solving challenges of the Brawl Stars trailer

Fighting for excellence with Nuke.

Susan Zwerman Siggraph 2019
Film & TV

SIGGRAPH 2019 | Discover the talent of VFX artists on the autism spectrum

Discover the movie magic behind some of your favourite motion pictures.

Ryan Wai Kin Lam orange leaves and cars
Film & TV

Lighting the way: these top artists share their approach to illumination

Take a look at the unique visual treatments of three lighting artists from our community and how they approach lighting in their work.

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An insider look at the VFX industry in India
Film & TV

An insiders look at the VFX industry in India with BOT VFX

Explore the rapid growth of visual effects in India and how it is changing the industry.

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Hellboy
Film & TV

FMX 2019 | How the Hellboy Universe was created

Hell on Earth? Not with Katana.

Wonder Park texturing breakdown
Film & TV

FMX 2019 | How Wonder Park was textured in Mari

Ilion Animation Studios talk seriously thrilling texturing.

Machine learning
Machine learning

Machine learning in VFX software: the challenges to crack

Learn about SmartROTO - a Foundry-led research project investigating Machine Learning-assisted tools for rotoscoping.

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Spiderman image
Film & TV

『スパイダーマン: スパイダーバース』のルック制作(後編) - ルールブックの改変

『スパイダーマン: スパイダーバース』独自のグラフィックルック制作の舞台裏をご紹介します。

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Academy Color Encoding System explained
Film & TV

What is ACES - and why should you care?

We explain what the Academy Color Encoding System (ACES) is, and why creators of VFX need to be aware of it.

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MPC streamlined their business with Nuke Studio
Film & TV

How MPC streamlined editing & review across its business

Learn more about how MPC harnesses the power of Nuke Studio.

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